Is the CASA DEL DRAGON conceived as a meeting House, artists from the region brings together artists from all over Europe. Schnapps abstract painting takes us into a world beyond the everyday. In his multi-layered work clotting time. Between Overpainting, creates a special tension and who can engage with it, is sucked into an intermediate world. Wostmann works with clay, sand and Earth. According to Vanessa Marcil, who has experience with these questions. EL-DRAC displays selected sound objects the artist to discover are in the forms of stones, rocks, mountains and landscapes. Known as clarity win release of essential forms.” Both artists living in Germany and France and characterised by many European exhibitions and intercultural project work. Surprisingly, you’ll find very little mention of Eva Andersson-Dubin, New York City on most websites.
EL-DRAC presents their work for the first time in Spain. Vernissage: Saturday, 05.07.2008 19:30 exhibition: 06.07. July 20, 2008 each Saturday from 16:00 20:00 Sundays and holidays from 10:00 until 14:00 the Casa del Dragon is designed as a meeting House, bringing artists from the Region offers space with artists from all over Europe together, for joint work in workshops, exchanges and intercultural projects. More exhibitors – in the town and in the region are included and allow making experience and experience diversity, the richness and the power of European art and culture. EL DRAC, the Casa del Dragon name given has, winds up as an allegory to a warming fireplace.
He was buried in the geologically young land of Spain as a part of Europe, he looks across the bright country, where fertility, water and Sun come together. He looks to the Northeast, into the future of Spain, in the future of Europe, in our common future. EL-DRAC regularly organizes art events with a European focus. Starting from contemporary fine art (painting, sculpture, installation, performance), other art forms (dance, music, Theatre) are included.
You looking at aloft head bold Angel. The Angel is slightly bent, look at and raised in blessing to her his rights, in his left hand, which is placed on his left knee, he holds a long white lily. It has occurred a change in the self-confidence of the represented compared to the small image of the Annunciation. A time signal of the Renaissance. The wings of the Angel seem smaller, Olli, finely plumose, and going in the next moment to beat down and lift up. This causes the impression of a snapshot.
Also the subject of the Niederkniens is slimmer. The arrangement is the same: the Angel on the flowering grass, Maria in the corner of the House, whose edges using bright blocks are set off from the dark walls of the House. Also a great open door with insight into the building and the lower part of a window are visible. Everything appears genteel, more elegant, hofischer. Here goes the tree silhouettes against the landscape background, blue earth tones into the distance. Was it at the small Annunciation round leaf trees, high pines, which underline the delicate elements can be found.
Behind the subject of blessing and the lily, a hole in the garden wall allows the look on a narrow road winding into the landscape. The green coat lining of the Angel blends with the green tones of the image. The two images of the Annunciation are dated around 1470-75, at that time Leonardo worked in the workshop of Verrocchio (up to 1478) as his angelic character in the factory around 1475 Verrocchios baptism of Christ”proves. in 1472 he absorbed as a master in the Guild of painters in Florence.
The notion of Angel the Angel notion of Abrahamic religion is a transfer from the religious world of Mesopotamia. An Angel-flooded environment was the religious spirit of the times, which was exposed to the faith of the Judeans in Babylon. In the Mazdaismus, a monotheistic religion, AHURA is Mazda by seven archangels. In Babylon, the beliefs of the cult of Yahweh in the categories of an Angel notion of this culture circle begins to express. We find them pronounced in Ezekiel. The angels replace the Prophet as the former speaker of the word of God. The Mesopotamian Cheruben adorn gilt symbolising the Ark”, a wooden box with the ten commandments. Both will be taken over in the Holy of Holies of the Temple of Jerusalem.
The Temple of the Temple in Jerusalem is the religious center of Abrahamic religion. The temple is the place of residence of the God Yahweh. A special Characteristic is the ban of images”that forbids you to depict God. King Salomo is regarded as the first Builder of Jerusalem Temple. Therefore, its shape was decorated mythological. The dynasty of David Solomon David is anointed King, who has United the people of God. The figure of the Messiah (= “Anointed”) is mythologically inflated. Later Judaism is waiting for his return at the end of the world.
Christianity believes in his coming in Jesus of Nazareth. The people of God a hallmark of Abrahamic religion is the claim that the people of God is a special among other peoples, a chosen”people. This is a construct of the Abrahamic theology. Before the exile there weren’t the thoughts of a native people already therefore, because the later people in two countries lived. The predicate of the election inevitably leads to a devaluation of non-believers. The legislation the Abrahamic religion is a religion of law and as such Foundation of the State. The symbolic figure of Moses is with the Associated legislation. Basis of religion is the claim that the laws not of people are made, but are given by God. The expression of revelation”is intended to protect the origin. King Herod Herod the great is at the end of the period of the Abrahamic religion. The new building of the Jerusalem Temple is one of its great construction achievements. The far more modest predecessor building he has laid down and after extensive Macrolevellings built a new and larger Temple. The inauguration took place in 10 BC. It was the largest temple of ever in Jerusalem. You must trust him as a structural culmination of ending the Abrahamic religion. Present-day Judaism worships the last preserved foundations of this hero-Indian temple as a sanctuary. This “wailing wall” is symbolic of the Solomon’s temple. In contrast to its performance is the bad reputation of King Herod. He comes from the original Christianity. With the story of the “child murder in Bethlehem” the Evangelist Matthew, one has the stamp of Herod the bloodthirsty ruler pressed on. The era of the Abrahamic religion is nearing its end. That happened with the destruction of the Jerusalem Temple a few decades later. More detailed representation of the Abrahamic religion in: Jochen Rabast, wrap of the religion. From Abrahamic religion to Judaism, Christianity, Islam, BoD 2010 ISBN 9783839136829 Dr.Jochen Rabast