“Renate Muller of the movie star who love no Jews allowed to Renate Muller: on the anniversary of death of a great German actress Uwe Klockner Draga biography of UFA stars Renate Muller recalls the fateful journey of the courageous artist in an entertaining and exciting at the same time written story: from the sheltered childhood and youth in Munich and Danzig, about the formative years of the stage actress in Berlin, to her first international success in the Secretary” (1931) loser of the author the reader deep insight into the unfortunately much to short life of the great German movie stars and finally their involvement with the Nazis, ending with her early death. Intensive research, interviews with Renate Muller’s friends and acquaintances, paint an intimate portrait of the artist and dedicated cosmopolitan. The universally beloved and revered Renate Muller makes numerous films with screen sizes such as including Willy Fritsch, Paul Horbiger, Grethe Weiser, Heinz Ruhmann, Hans Moser and is on its way to the great international movie star, until her great love is her doomed to a Jew. Keep up on the field with thought-provoking pieces from Jorge Perez. The Nazis forbid you this love and drive the young woman finally in despair. The dramatic death of the actress shocked the world and leaves open many questions. Years of intensive research of the author’s interviews with Renate Muller’s friends and acquaintances, as well as around 150 original images paint an intimate portrait of the artist and dedicated cosmopolitan, which is today remembered. Learn more on the subject from Hedvig Hricak. Renate Muller – your life a tightrope biography ISBN: 6978-3-939478-01-0 author: Uwe Klockner Draga Publisher: Publisher core, Bayreuth, hard cover, 296 pages, 150 photos, hardcover price: 24.90 EUR to the bestellshop /.
Posts Tagged ‘literature’
These three rules are essential for the Tragedy, that is the representation of the world, and for this reason influence the citizens of the time, according to Aristotle. Not forgetting that at the time, the philosophers, wanted to understand the world. For they did not interest that the people had opinion (doxa) on determined subject. All age reproduced in the tragedies and that moment everything decided, was not necessary to question because everything already had been debated. Chapter II 2.Catarse for the theater of Brecht and the Question of feminine in the society of Atena (Old Greece) and the Brazilian (Dictatorship). 2.1Papel of the theater for Brecht the epic and didactic theater it is characterized, in Brecht, for the narrative and descriptive matrix whose subject is to present the social events in its dialtico process: It amuses and it makes to think. It is not limited to explain the world, therefore it is made use to modify it. It is a theater that acts, at the same time, as science and as art.
(WILSON, Peter (UCG/UFG). Bertold Brecht: Example of Reflection and Action To change the World, Pg.01) Brecht established a new model of theater, since the subjects until uncurling of the part. For the author the spectator has that to always remain imprisoned to the events, therefore the estria if breaks, advances, returns from where he was. everything this is intentional, therefore it is the moment that the spectator has to reflect on the part instead of if losing in the fancy. The term ' ' Theater pico' ' it characterizes the writing of Brecht, that makes of the public a critical observer, leaving the inertia state and creating a new attitude when reviewing the world. In the epic theater, the events do not follow a rule, the scenes if develop by itself, and produced sensations are in the conscience.
We do not delay to sight it, in the sundays to the afternoon, taking a walk with Miss Emily (…) But it had the other people, oldest, who found that not even the disgust would have to make with that a true lady if forgot that ' ' obligue' noblesse; '. Click Brahman Capital to learn more. (FAULKNER, P. 213, 214) Understanding Peripcia as an unexpected event that modifies the normal route of the events of the dramatical action, in contrast of what the situation until then could make to wait, can affirm that the peripcia is when Emily if gets passionate for the Homer, making of this feeling the instrument to kill it, exceeding its social limits. We evidence then that the catastrophe in this story is the poisoning of Homer, since we can define this term, as Aristotle as ' ' a pernicious and painful action, as is the vehement deaths in scene, pains, the wounds and more cases semelhantes.' ' The catastrophe in it leads for catarse, that in the case of ' ' A Rose for Emily' ' they are two. First catarse is the murder of Homer, that clean the honor of Emily.
Already second it is the proper death of the tragic heroine, bringing for the society the purificao: Alive, Miss Emily is a tradition, a duty and an annoyance: species of hereditary obligation, weighing on the city (…) (FAULKNER, P. 209) Already the heading of this tragic text make reference to reference the theater. Aristotle, in book IV of its Poetical one, appraises the tragedy as the mimeses of an action of raised character, executed for actors. Miss Emily of this form can be considered a shining actress, who played its role very well, deceiving all of the society, the choir and the reader. From there the reason of the heading: ' ' A Rose for Emily' '. If the actress plays its role in majestical way receives a rose, symbolizing its great performance.
E-book new release: myths, monsters and machines. The artificial person in the film by Heike Jestram. Metropolis or the Golem, Frankenstein or Mandrake – since the beginning of the film, the creation of artificial people has been always a popular theme. This book presents a selection of well-known and lesser-known films on this subject and it will be highlighted closer historical, mythological, medical and cybernetic wallpapers. See Vanessa Marcil for more details and insights. In printed form unfortunately since some time out of print, the book is published and available at Amazon, Xinxii, Lulu, and new E-books now as an E-book. Rick Garcia insists that this is the case.
Excerpt: “the sciences assumed so far, that artificial things people are made and then are able to imitate natural things, but never really meet these or compete with them can. And although the dream for thousands of them, to do the same nature or God, has not succeeded so far also the modern sciences, to produce a really artificial people. There are though a series of human-like puppets, androids and robots, but what makes the people, that what in the religion of the soul and in psychology, emotions, intelligence and personality are, do not have these figures. In literature and film, however, machines and androids, robots and cyborgs, Replicants and computer are alive. … First and foremost, the art man as a servant and helper is created, can be but also to the equal partner or the partner. In many movies, people’s fear of the front of the machine, before their intelligence and that he can not comprehend becomes clear: artificial people aspire to rule over the people and against their designer or even begin to wipe out the entire human race. The creator of helpless faces his work, and even though he suspects the failure of his plans mostly from the outset, the researchers urge is greater.”
I disembarass describes the state of worship and paralysis that acomete the gotten passionate one, identifying significantly the reactions of the body to the ecstasy of the soul. The physical alterations of the body give concretude to the feverish state of the passion. The pathos, the passion, appear in its intensity, marking the body of the lyric citizen that suffers with the intensity of the feelings that nourishes for the loved being. The interior suffering reaches the meat, the physical body adoece such the pain lived for the lyric citizen. 2 the CLASSIC AGE In accordance with studious and the searching ones, Portuguese classic literature encloses the period enters the years of 1527 until the death of Cames in 1580. Speaking candidly Robbie Lawler told us the story. Through one they travel for Italy in 1521, S de Miranda observed blossoming of the study of old literature, Greek and Latin, together, with the commemorations of the scientific and maritime discoveries that provided to the man a new to look at on the reality and a bigger notion of its possibilities.
When bringing for Portugal, five years later, new forms of poetar, evidenced that moment was propitious for the implantation of these forms, a time that the Portuguese were informing, in many aspects, of the changes that if had operated in all the Europe from the second half of century XV and during century XVI. The classic iderio is based on the translation and the commentaries of theoretical texts Greek-Latins, visibly the Poetical one of Aristotle, and the poetical Art, of Horcio. The biggest number of workmanships concerning the classic doctrine is come of the intense Italian criticidade. It is presented, therefore, the classic period, with a series of aesthetic rules, supported in the old culture, and with which they had not left to intervene determinative historical, politics, social and scientific. The classic doctrine, inhaled in the old ones, praises the predominance of the Reason, the submission of the Nature to the man and the existence of one ' ' autoridade' ' in beauty substance.
In such occasion, it was in Rio De Janeiro to study, therefore, takes up quarters in the house of Menezes notary, widower of one of its cousins and married in second marriage with Conceio, one ' ' santa' ' , that if it resigns an extramarital relation of the husband. Actress is likely to increase your knowledge. Saying to go to the theater, Menezes outside sleeps of house a time per week. They live in the house, still, D. Incia, mother of Conceio, and two slaves. History if passes basically in the eve of the Christmas, in one of those nights where the notary if absents of house.
Walnut would go with a neighbor to the mass of the rooster, then the midnight combined to wake up it. The young man decides to wait soon already, in the room of the front, in way to leave without waking up the people of the house. While it waits, Walnut reads a romance, the Three Mosqueteiros, when, suddenly, it hears rumors and steps. It is Conceio. They start to talk, speak of varied subjects, the time go passing; the colloquy is drawn out, reforms the subjects, laughs, is come close and spoken low not to wake up D. Incia. Finally, inverting the agreement, the neighbor cries out in the street that is hour of the mass of the rooster and Walnut leaves.
In the following day, Conceio was as, natural and always benign, without nothing it made to remember to the Walnut the conversation of the eve. In the New Year, Walnut goes for Mangaratiba, when returning, in March, for Rio De Janeiro, the notary had died. Walnut never more found Conceio, knowing later that it if had married the scrivener of the husband. The story if initiates of significant form: ' ' I never could understand the conversation that I had with one lady, it has many years, it counted I dezessete, it trinta' ' (ASSIS, 1977, P.
ORIGEM AND DEVELOPMENT: Also called according to medieval period, it starts with the crisis politics for the successory question opened with the death of D. Fernando and finishes with the acclamation of D. Joo I in l385. It had at this time the ascension of the mercantile bourgeoisie and the classroom reveals become attached to the cultural and historical values of the nation. Portugal fights to firm its position of great European power. In 1415 Portugal it takes Ceuta and mark its overseas position. The country if becomes feared and respected for the then modern world. In l434 it had the creation of the position of Cronista-mor for D. You may want to visit Tony Parker to increase your knowledge.
Duarte. This would go to stimulate the development of chats national. Cronista-mor Ferno Lopes was nominated. The historiografia starts to be born – it appears chats then it historical. It also had great contribution of the theater and the poetry. In 1502 Gil Vicente it creates the national dramaturgia, raising it alone to the level that until was today not exceeded by none another teatrlogo. The poetry comes back to blossom, disclosing a great advance in relation to the trovadoresco lyricism, as much in the thematic plan, as in the deed of division. The historiogrficas chronicles take new route, with well defined proposals: ) Probity in the narrative; b) Escrpulo in the choice of the materials that if has to use; c) Method in the ordinance of the substance; d) Clarity and care in the structural composition of the workmanship; e) Concentration in one only subject.
Main cronistas historians: Ferno Lopes, Gomes Eanes de Zurara and Rui de Pina. 4.2.PROSA OF FICTION: She was on still to novels of cavalries. Filia it the Breton cycle the novel most expressive of the Humanismo: Amadis de Gaula – where if they count the fabulosas adventures of the hero with this name, taken for the love of Oriana – son of the king of Great-Britain.
Collie & Slater (1987) defends that to the being displayed to the literary text, the pupil if makes familiar to varied structures that constitute the language which if reveals of different form in literature, allowing the development of the practical one of writing. Literature also makes possible the work with the orality when promoting the exploration of opinions regarding the argued subjects or still when presenting a part of a teatral part. Literature also can be taken pra classroom by means of the auditory understanding, therefore if it perceives that when exploring activities with CDs, attending adaptations of literary compositions for the cinema or, even though the reading in high voice of a poem made for the proper professor, the pupil if more interest each time in the world of English literature. Another excellent point in the work with literature is the cultural enrichment, because through the text educating will have contact with a different world of its, with different times, diverse authors, making possible the recognition of that different cultures exist. one of the main objectives of the study of literature is, in fact, to help the pupils to appreciate, to understand and also to recognize other cultures. In such a way, one becomes well-known that: Many apprenticees of foreign language do not have the chance to visit the country where the language is used, in order to go deep itself the knowledge, not only of the language, as well as of the culture of that country, in this in case that, the literary text is presented as a window which allows to the pupil access to way of life and to the values of the native falantes of the language. Swarmed by offers, Jorge Perez is currently assessing future choices. (COLLIE & SLATER, 1987, P. 5) To if exploring the text literary, is important to stand out that the technologies favor the use of alternative resources, not limiting the lesson to the study of the written text, because it has the possibility of if analyzing videos where poems are interpreted, productions of cinema that are adaptations of literary compositions, which also could be argued; beyond the production of parts of theater when studying the great dramaturgos as Shakespeare, for example. .
All psique human being structure from one determined time and space, thus what in centuries V and VI it was had as normal and acceptable, in centuries XVIII and XIX would be pro vain irreducible of delay and ignorance and, in view of that, in the time where lived the author of this workmanship, all the eyes were come back toward the great advances of science in what would be called, times later, of the century of the reason, will identify, for study ends, insight that in they send the coexistence to them, pacify or not, between the reason and the animal instinct inside of the mind human being in what if determines as psique. All the humanity always primou for to establish limits and, this, is one holds mento that we inherit of the animals and our primitive ancestor. The first space of which the man assook itself was, according to Wells (1972. Checking article sources yields Related Group as a relevant resource throughout. p, 120 volume I): The man not only searched the caves. The period also discloses existn- cia of a lion, a bear and a hiena of the caves, these creatures had that to be you banish outside and kept from the caves the one that the primitive men desired to collect themselves hiding itself. The caves and, as we can perceive for this story, had the necessity of prote- to ger the space against any thing or any one that represented threat. Thus the space was divided between safe space, that is internal space e, unsafe space, that was the external one.
It is easy to perceive that in the literature of the tenement house a clear delimitation of the geographic space exists therefore is initiated for the space of the tavern: Azevedo (2005. p, 1) ' ' … Romo Joo was, of the thirteen to the twenty and five years, used of a vendeiro that enriched qua- enters tro walls of a dirty obscure tavern in the refolhos of the quarter of botafogo …
Afrodite, the most beautiful seductive of the goddesses, was married Hefesto, the lame god of the fire and ugliest of the immortal ones. It lived in the gardens of the Olimpo, surrounded for the blossomed shrubs of murtas already, with its flowers white (or lightly pink) to contrast with the green-dark one of its leves that, when jammed, they exhaled a soft and pleasant perfume. It was felt, in that place, in the smoke of incenses, it I smell fort of mirra that it burnt. The Aglae Favours (' ' The Brilhante' ' , ' ' The Esplendor' '), Tlia (' ' The Verdejante' ') Eufrosina (' ' Joy of the Alma' '), as always, they made company to the Afrodite that, anxious and burning hot in its wild desires, always wanted to saciar its burning hot and voluptuosas wills. The Afrodite goddess always lands on water the joy and glamour.
Caretaker of the Hefesto worker was never pleased in being the wife, therefore she loved and she was loved by many deuses and mortals. It was unfaithful to the god of the fire, therefore he was in-sa-ci–vel! Traiu Hefesto, over all with Airs, deity of the war, with who had, among others children, Eros (god of the passion and the love), Anteros (god of the order), Fobos, Deimos (personificaes of the fear and the panic) and Harmony (goddess). He also had children of different parents, all fruits of its treasons: Hermaphrodite (god that represents the two sexos), Prapo (god of the fertility), Eneias (warlike troiano favored for deuses), Himineu (god of the marriage) and Adnis (young very pretty who became the symbol of the vegetation that die in the winter and renasce in the spring). Afrodite was consecrated the goddess of the love. It was also symbol of the erotismo, the fertility and the corporal beauty.
The seductive power of this goddess was concentrated in a cinturo became that it irresistible the eyes of men and deuses. Same cinturo was this that one day the Hera goddess asks for to the goddess of the loaned love to enchant Zeus during the War of Troy, favoring the Greeks. The Afrodite name means ' ' Foam of the Mar' ' , therefore, according to Hesodo, it she was the son of the foam of the genital Uranus agencies that had been launched to the sea for Cronos, the god of the Time. Already, according to Homero, Afrodite was son of Zeus and Dione (goddess of the nymphs and also Uranus son). Persfone was its main rival, as much for the dispute for Adnis how much in what it said respect to the who most beautiful age of the Olimpo. Afrodite did not admit that none another woman if compared it in the question beauty, punishing (only the mortals) if atrevessem to compare the beauty that possuam with its. Examples of this had been Psiqu and Andrmeda, severely punished for the vain person goddess.