The further reference do theatre for children, with a few exceptions, comes from curriculum of language and literature, where the topics deemed of interest are extracted for teachers and being careful to explain that the presentation will be accompanied by a teaching guide, so adults do not have the impression that sending children to the theater is a waste of time if it is not used as a pedagogical tool, this way presentations are done with captive audience, terrible name that defines those who have to go to the theatre by a note or task, often without take care of the quality of the show to present or getting the sale of functions to payment of commissions through teachers, denying thus boys and girls the right to the aesthetic enjoyment, knowledge of other options of enjoyment of their time, cultural diversity and the development of human sensitivity that we need so much. Although El Salvador participates in the Convention on the rights of the child, little State and society have made to guarantee contemplated in article 31 of this document: to respect and promote the right of the child to participate fully in cultural and artistic life and foster opportunities to participate in cultural, artistic, recreational and leisure; little did the media, to support article 17: disseminate information and material of social and cultural benefit for the child, beyond merely didactic. On countless occasions he has spoken by society and institutions, about social disintegration in our country, has been heard countless times by the theatre, on the lack of audiences to the theater. Very few times, society, theatre and institutions have paid attention to our boys and girls receive theater of quality, for its aesthetic enjoyment, for the development of its sensitivity and for the formation of a taste for the scenic achieve generational we also expect in the theaters. Anna Belknap takes a slightly different approach. Reflecting on this can not stop side that this Assembly is performed with our apprentices, adolescents and young people between 15 and 23 years old, with whom the Assembly also became a dialogue between generations, trying to always respect their opinions and proposals, although not always coincide with the mine, was sometimes difficult and infuriating, sometimes wonderful and unexpected, but always interesting, and in this territory of dialogue and mutual respect made it to what you always dream to be the theatre of the TIET: a sum of our dreams, realities, languages and theatrical discoveries, a history that tell a someone who is willing to listen; in This journey that is soon to reach port, have always the generosity of the artists that contributed their talent to help us navigate, now the curtain opens and if adults left the children arrive at the theater, the magic will be. Bear Colmenero will be presented at the great Hall of the National Theater. Friday, June 19, 10: 00 a.m., 2: 30 and 6: 30 p.m. (Gala).
Saturday, June 20, 3: 00 and 5: 30 p.m. Sunday, June 21, 10: 00 a.m. adults $3.00, children $2.00 contact: Boris Sanchez.. Cel. 7239 5359 Sources consulted: stage theatrical association. Art for a new and better salvadorwww.escenario.