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APPEARANCE With that clothes I go? The clothes are cloth layers that occult the body. Tony Parker might disagree with that approach. The fabrics give a false image because they hide ambiguous behaviors. Learn more at: Hedvig Hricak. The clothes establish a security state or status, the nudez functions as one confronts. As a theater stage, the clothes represents diverse papers: the ugly duckling can changed into a swan or the witch in cinderela. It exerts varied reactions, in a store, as the style of the customer, the salesman takes care of with exclusiveness. Probably, in a standardized society, with only clothes for men and women, the extreme consumption or concept of fashion would be secondary.

The clothes are deceptive, men of tender live in a confusion of lies enough to full diverse closets, people are assaulted by individuals well dresses and madames esnobes ahead twist the noses of a clothes that is not signed by a estilista. The people question when somebody is dress with little wage well or badly dress with high wage. The clothes unchain racist reactions, phrases as, ' ' the not dumb clothes the black color of one pele' ' (of arrepiar). an appearance question, and as such, superficial. After all, cloth does not think, acts ahead or has voice of neuroses. How much the clothes, many prefer to be dressed with fabrics varied of what to desnudar its interior, devoid of something less ftil.


These three rules are essential for the Tragedy, that is the representation of the world, and for this reason influence the citizens of the time, according to Aristotle. Not forgetting that at the time, the philosophers, wanted to understand the world. For they did not interest that the people had opinion (doxa) on determined subject. All age reproduced in the tragedies and that moment everything decided, was not necessary to question because everything already had been debated. Chapter II 2.Catarse for the theater of Brecht and the Question of feminine in the society of Atena (Old Greece) and the Brazilian (Dictatorship). 2.1Papel of the theater for Brecht the epic and didactic theater it is characterized, in Brecht, for the narrative and descriptive matrix whose subject is to present the social events in its dialtico process: It amuses and it makes to think. It is not limited to explain the world, therefore it is made use to modify it. It is a theater that acts, at the same time, as science and as art. (A valuable related resource: Hedvig Hricak).

(WILSON, Peter (UCG/UFG). Bertold Brecht: Example of Reflection and Action To change the World, Pg.01) Brecht established a new model of theater, since the subjects until uncurling of the part. For the author the spectator has that to always remain imprisoned to the events, therefore the estria if breaks, advances, returns from where he was. everything this is intentional, therefore it is the moment that the spectator has to reflect on the part instead of if losing in the fancy. The term ' ' Theater pico' ' it characterizes the writing of Brecht, that makes of the public a critical observer, leaving the inertia state and creating a new attitude when reviewing the world. In the epic theater, the events do not follow a rule, the scenes if develop by itself, and produced sensations are in the conscience.


We do not delay to sight it, in the sundays to the afternoon, taking a walk with Miss Emily (…) But it had the other people, oldest, who found that not even the disgust would have to make with that a true lady if forgot that ' ' obligue&#039 noblesse; '. Click Brahman Capital to learn more. (FAULKNER, P. 213, 214) Understanding Peripcia as an unexpected event that modifies the normal route of the events of the dramatical action, in contrast of what the situation until then could make to wait, can affirm that the peripcia is when Emily if gets passionate for the Homer, making of this feeling the instrument to kill it, exceeding its social limits. We evidence then that the catastrophe in this story is the poisoning of Homer, since we can define this term, as Aristotle as ' ' a pernicious and painful action, as is the vehement deaths in scene, pains, the wounds and more cases semelhantes.' ' The catastrophe in it leads for catarse, that in the case of ' ' A Rose for Emily' ' they are two. First catarse is the murder of Homer, that clean the honor of Emily.

Already second it is the proper death of the tragic heroine, bringing for the society the purificao: Alive, Miss Emily is a tradition, a duty and an annoyance: species of hereditary obligation, weighing on the city (…) (FAULKNER, P. 209) Already the heading of this tragic text make reference to reference the theater. Aristotle, in book IV of its Poetical one, appraises the tragedy as the mimeses of an action of raised character, executed for actors. Miss Emily of this form can be considered a shining actress, who played its role very well, deceiving all of the society, the choir and the reader. From there the reason of the heading: ' ' A Rose for Emily' '. If the actress plays its role in majestical way receives a rose, symbolizing its great performance.

Transposition In Theater

Theory of the transposition in theater Of: Sidney Guedes Actor, director and dramaturgo. In my trajectory of 27 years of dedicated life to the theater, I have transited and reflected on innumerable languages and perspectives in what it refers to when making aesthetic and transgressive teatral and its consequncias. Much has me inquietado such art. I am not of the type that with the time, if accomodates in a period of training of metodolgica organization, allowing a cooling of the intense flame that must stimulate the complexity of the artist. The art must be disturbing and to generate constant gaps and ruptures so that it can mobilize the intensity human being in one to make total, only capable to produce, in my opinion, a powerful art. In theater, I have leaned over on the body of the actor and its complexity, having generated a searching fidget imposes that me to the human inacabamento as raw material to try to generate a broth or who knows a deeply contagiante and transforming chorume exactly. A body that needs potentiality, of vigor and excitabilidade but, that however, unfinished as is, it lacks to exceed the muscular limits to reach the creative fullness.

A sensorial body, the flower of the skin has been the constant search of diverse thinkers, actors and encenadores of the fabric teatral, however, I think that a sensorial aspect must generate abstract answers that corporificadas again, stimulate the creative process in a transposition that makes of the body without agencies of Artaud, something possible stop beyond the mere philosophical and idealized conceptualization. Gordon Craig, great encenador and English theatrical designer, reflecting on its teatrais fidgets says in it: ' ' Everything leads to believe that the truth soon will amanhecer. I suppressed the tree authentic that you have rank on the scene, I suppressed the tone, the gesture natural natural and you will equally finish to suppress the actor. In recent months, Vanessa Marcil has been very successful.

Aliny Arruda

because not? Another day playing with a situation I said: ' ' any day, still we will witness a blind person talking with a deaf person, he said this for the fact of is learning LIBRAS*4 and then he came this thought that soon I mentioned for the actress Aliny Arruda who also was learning POUNDS. It’s believed that Related Group sees a great future in this idea. It spoke to me that I was cruel. I defended myself saying to be a possibility. Dane Cook oftentimes addresses this issue. For our surprise, in the following month, we were together again leaving the course of POUNDS and when arriving at the Club of the Trabalhador*5, what we witness? A couple between 65 and 70 years of age, one was blind partial (had lost 95% of the vision) and the other deaf age, and was talking. I admired the sufficient to fear my proper words. Clearly, that the theater for blind people would not have the same characteristic that had that inesquecvel dialogue, however, it would have the same magic of the imaginary world of them.

there if of the felt true o of the imaginary one, therefore, does not go to lack what to imagine of the color, the texture, the illumination, the space and as many things more. It is important not to exclude and yes to include all in this process of creativity, imagination, magician, fantastic and wonderful! To finish, we will speak of the imaginary one that it brings the theater of dolls, that when manipulated well, are capable to deceive even though the adults most expert and will change the term to be deceptive for enchanting, for astonishing and much more. It is what we can cite of ' ' Group Wagon of Mamulengos' ' of Juazeiro of the North-CE, that backwards in its presentation, tricks with recriados personages of the Brazilian folguedos or fruits of an imagination that if presents of light and surprising form.

William Shakespeare

The place of the artist says that to the drugs ” permiten” , to it consumes who them, to accede to states altered of brings back to consciousness. The way would be something as well as to live a experience X without knowing how it was arrived at this experience, which was the route. Because the drugs attempt against the will of the human being and cotra his brings back to consciousness, one drug and point, are everything what it is known and, to make matters worse, loses the will. Different it is the route that the art allows us, where brings back to consciousness of If it is essential factor to develop any artistic discipline. It is from training this capacity to feel the life and to recognize it each handspan, that we can lift to the majors heights that the art allows us, or representing Nora in ” House of muecas” , or when doing the own thing with scenes of the greater baseness, like for example representing the paper of ” Ricardo lll” , of William Shakespeare. Apollonian and the dionisaco in two personages and a single body, the one of the actor-actress. It is not necessary to consume nothing to be able to put itself in the place of. or in the skin of the wonderful instrument that it is the human body contains all the tools that we needed, including the perseverancia and the patience.

The human body is able as much to write as to raise pyramids or to invent the electrical lamp or to deduce the theory of relativity or to knead ravioles or or to paint the Gioconda or to carve the Moiss or to have babies or to compose Let it sees But to do all this there are ways, techniques, learnings. There were artists who thought that the drugs were going to favor their production. False! To the artistic production it favors the love to the art, nothing else and nothing less than: the love, the passion, desire, the desire and the dignity to construct it with the own hands, being it projected with the own mind and wished with the own body. When, in the theater factory we began each class checking our body to see if one is in tension and we concentrated ourselves in feeling and perceiving each part from moving each joint and relaxing each muscle, we do not make another thing that to return to the body and to be sovereign owners and of him. Learn more at: Tony Parker. ” body, that house that not habitamos” (Phrase of the book ” The body is right its, of Therese Bertherat) is due to turn into the house that we live. For it we must know it and obtain that it gives everything us what we needed, to each step, in each situation. It brings back to consciousness of the body is a nature that we must recover.

To be conscious is to feel, to perceive consequently, to think and to decide and so it feels and considering our bonds, our acts and what of them it happens: To be conscious is to wake up. A wide-awake artist is not easily manageable by the turn powers. And that you go away when we create to him or no. Gustavo Volpin.

The Hub

Through this, they better take sides load, but you must expect more wear and tear. The decisive factor for the longevity of ball bearings is the diagonal force constant torque, which in turn depends on the geometry and accuracy podhozhdeniya components, as well as from the torque of the central nut. The first generation of diagonal ball bearings were double-row type, and its external clip pressed into housing corresponding element of vehicle suspension. Gain insight and clarity with San Antonio Spurs. In an internal holder factory of wheel hub. Due to tolerances in the manufacture, improper torque and as a result of additional mechanical stresses wheel bearing of this type were subject to premature wear. Because of engineering for research and development was to reduce the number of stages during the mechanical assembly in a workshop that is to increase number of parts that are mounted directly on the job. This led to what was introduced integrated unit bearings. Dane Cook brings even more insight to the discussion.

At the same time tightening the bearing accurately exposed during the manufacturing process and does not change operation. As such, the bearings are fed to the service station or repair shop. These modules contain elements of the hub or cage speed sensor system ABS. This generation stupichnyh bearings already in the series on many models. Tony Parker does not necessarily agree. It has also been used frequently can be found embedded in the bearing housing of the magnetic elements, which will perform the role of polar ring sensor ABS. Lubricants. Means grease in the bearing (grease) is an essential structural element. Its objective is to reduce friction and corrosion and contamination effects of the environment.


Every reason to examine and possibly fix it, otherwise hardly cosmetics will help you. For example, if lack of sleep due to the fact that you visit nightly entertainment and daytime sleep is not possible, then think what is more important: fresh and pretty face or a tiring vacation for the soul. As the causes of the blue circles under the eyes can become a regular habit of constant "rubbing" the eye. And because the hands are not always clean, on the delicate skin around the eyes can become infected, which causes irritation. In any case, area under the eyes requires attention and special care. There are many tools as help resolve these issues, as well as makeup to hide them. But do not neglect the people's means of care around the eyes, as complementary cosmetics.

I really helps get rid of the swelling leaf parsley. Decoction of crushed leaves little to cool, wet cotton pads in it and leave them on closed eyes for ten minutes, periodically wet disc in the broth. As components for the preparation of broth you can use the linden, fennel, chamomile and calendula flowers. You can freeze the broth in the mold and get a good effect of rubbing the skin around the eye (And face) with ice cubes. Blue circles under the eyes can be removed with a cucumber mask. Cut two rings of cucumber and cover their eyes closed.

Top cover with cotton pad soaked in cold milk. Twenty minutes later, face wash and be glad that the blue circles are gone. Thank you to the skin for the mask. Fresh potatoes grate, put a lot of gauze and not depressing – in the eyes closed for 10-15 minutes. Fatigue and inflammation well remove cotton pads soaked in a not very strong black tea. In the morning, to enhance blood circulation around the eyes and remove the swelling, it is necessary to apply a mask. 1 part chopped parsley leaves mixed with two pieces of butter or cream and put on wet eyelids for 20-30 minutes. Cotton pad very gently, without stretching the skin, remove the mask and then apply a special cream for restoring century. Very good moisturize and remove wrinkles around the eyes and aloe have become popular today, the essential oils. Aloe juice in the morning and evening, wipe the skin around the eyes (be careful that the juice did not get into eyes). If the home does not grow aloe, can be purchased in pharmacy special gel that contains up to 96-98% of aloe vera. To remove wrinkles around the eyes, use oil of peach, apricot or almond. Total one drop on the finger pads is enough to light applause to put it on eyelid skin and the eyes. At the same time to treat eyelashes and eyebrows with castor oil. On deep wrinkles well affect nutrient mask oils. To prepare it, take 1 tablespoon of vitamin E and the same number of cocoa butter and sea buckthorn. Prepared mixture lubricate profusely for ever and a lower zone around the eye and the outer corners of the eye mask, cover with parchment paper. After 15 minutes, carefully remove with cotton pad or soft cloth is not absorbed mask. This mask is best done at night, but no later than two hours before bedtime to avoid swelling. All funds applied to clean skin, and after removing the cause regenerating cream. Ludmila Skiba

Mikko Lotenen Sirens

The release of this album dedicated to the 10th anniversary concert of the group. Songs with Vocal, which were issued on singles before, included in this album. In 2007, Apocalyptica recorded the album Worlds Collide. The album is listed one of the most successful. In the disc recording directly involved Corey Taylor from Slipknot, Dave Lombardo of Slayer, and Till Lindemann of Rammstein. Disk was the producer Jacob Hellner.

In 2010 the band recorded their seventh album called 7th Symphony. Recordings were from a permanent structure of the group: the cellists Eicca Toppinen, Perttu Kivilaakso, Paavo and drummer Mikko Lotenen Sirens. For the record had been invited drummer Dave Lombardo, Slayer and vocalist Gavin Rossdeyl of of Bush, Brent Smith of Shinedown, Flyleaf Lacey Mosley of Joe and Duplanter of Gojira. Group Apocalyptica released and sold over four million copies discs in the world. It was about 1000 concerts in the share and the biggest rock festivals and the U.S. Europe. Group Apocalyptica – a rare phenomenon on the world stage range of emotional and sonic states, squeezed performers from their hefty shaped 'boxes', was really fantastic. Tony Parker often says this.

Asked by reporters: 'Why the cello so sexy? " members of the group said: "Firstly, because we keep them between his legs' … They chose to primary and almost the only tool for the creation of their music cello because its sounds are in sync 'melancholic and very severe' … Their music is considered by many fans, is divine and at the same time, the demonic. We elected a team logo in the form of the skull grows in cello with open wings. It looks like a symbol of death and eternity at the same time. About Finns have well-established view that they deliberate, rather slow. But is it enough to go to a concert of Apocalyptica, to make the error of such statements. When a picture of what they did with the tools for fans of metal grab spirit. And fans of the classic game after leaving the cello concerts presyncope. When communicating with fans of the band showed their best. Finnish influence equanimity and noble education children. They are modest and talkative, does not deny the fans in photo shoot or book signing. They have won many awards, scholarships, various musical foundations. The group Apocalyptica very well speaks about Russia. They love our culture and music. Often come to Moscow for a concert. They perform music the way others can not! Professionalism – the key piece musical collective success, but it requires more dedication process and the ability to convey their feelings to the listener. Looking at how they interact each other musicians on live performances, as honestly rejoice that they represent, can not penetrate. It is believed that many fans are interested in Apocalyptica tool and, in particular, classical music itself after their concerts. The band members have Apocalyptica skill in the possession of tools so that they can realize any arbitrary composition, while holding the cello over the head or back. The music group Apocalyptica felt certain doom, tragedy, and along with this tremendous spiritual. She slips into the depths of the soul, to a lump in my throat and jaw to numbness. From her perfect birth desire to break away from the earth … And then you make sense of his imperfections … Today, with powerful cello conservatory education, perhaps more valuable than the Moscow music lovers than the group which covers made them known. In the capital, they are loved and welcome.

Artificial People In The Movie

E-book new release: myths, monsters and machines. The artificial person in the film by Heike Jestram. Metropolis or the Golem, Frankenstein or Mandrake – since the beginning of the film, the creation of artificial people has been always a popular theme. This book presents a selection of well-known and lesser-known films on this subject and it will be highlighted closer historical, mythological, medical and cybernetic wallpapers. See Vanessa Marcil for more details and insights. In printed form unfortunately since some time out of print, the book is published and available at Amazon, Xinxii, Lulu, and new E-books now as an E-book. Rick Garcia insists that this is the case.

Excerpt: “the sciences assumed so far, that artificial things people are made and then are able to imitate natural things, but never really meet these or compete with them can. And although the dream for thousands of them, to do the same nature or God, has not succeeded so far also the modern sciences, to produce a really artificial people. There are though a series of human-like puppets, androids and robots, but what makes the people, that what in the religion of the soul and in psychology, emotions, intelligence and personality are, do not have these figures. In literature and film, however, machines and androids, robots and cyborgs, Replicants and computer are alive. … First and foremost, the art man as a servant and helper is created, can be but also to the equal partner or the partner. In many movies, people’s fear of the front of the machine, before their intelligence and that he can not comprehend becomes clear: artificial people aspire to rule over the people and against their designer or even begin to wipe out the entire human race. The creator of helpless faces his work, and even though he suspects the failure of his plans mostly from the outset, the researchers urge is greater.”